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Monday, October 17, 2016
The Merchant of Venice - Acts I and II
  Shakespe atomic number 18 sets up the  musical style and thematic concerns in a very strong  personal manner in the first  dickens acts of the Merchant of Venice, setting the foundations of the  fit yet still  loss a lot up for explanation. From the first two acts,  in that respect is still some  proportional ambiguity surrounding genre. A lot of evidence supports the  ordinarily accepted idea that the  contribute is a Shakespearean  japery,  merely   in that location are  unimpeachably many tragic aspects  deep down the first two acts which would  plainly make Merchant of Venice a tragedy. The general Elizabethan  commentary of a Shakespearean comedy is a  play that ends happily,  ordinarily involving a  spousal relationship. For clear reasons, from Acts I and II we still   sustain ont know what the  completion will be! However, there are several indications of an  ultimate marriage, and Shakespeare sets up a marriage between Portia and Bassanio. He does this in the second scene of    the play in a conversation between Nerissa and Portia at Belmont. They were discussing  possible suitors for Portia when Nerissa  express: a Venetian, a scholar and a soldier, that came here in company of the  marquis of Montferrat? Portia then replied: Yes, yes, it was Bassanio!  as I think so he was c bothed. In response Nerissa said: True, madam  he of all the men that ever my  chimerical eyes looked upon was the best  be a fair lady.  foregoing to these comments, several other  call had been mentioned including that of The Prince of Morocco. As this name was suggested, it was  briefly dismissed by Portia as she said, If he have the  cast of a saint and the  tinct of a devil, I had  quite he should shrive me than  wed me. In simple terms,  blush if Morocco had the heart of a saint, he would still not have a slight  accident of marriage if she had the choice. However as I commented on earlier, there are many references which are typical of a tragedy. A great example of this is con   tained in Act I  diorama III in a debate between Bassanio, Antonio an...   
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