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Tuesday, December 27, 2016
The Point-Counterpoint of Jan Steen
  During the 17th century, Dutch music genre  characterisation flourished, appealing to  spirit class patrons by  depict everyday life with  enchantment and often a moral. Jan Steen was among the  virtually successful genre painters,  distort witty commentary into his pictures of merriment.  speechifiers at a Window, c. 1661-1666 (oil on canvas, 29 7/8 x 23 1/16 inches) serves as an exemplar, depicting a  naturalistic scene  have with layers of meaning. Even the title    may be read on many levels. Just as a rhetorician may refer to an eloquent speaker, so, too, may it allude to a  papal or bombastic person. Rhetorician also conjures up the  thought of rhetoric, or the act of  devising a persuasive  principle based on a point and counterpoint structure. This painting cleverly provides several layers of point-counterpoint arguments revealed through and through visual analysis, careful recital of physiognomy of the figures, and assessing the composition as a whole, including how it engag   es the viewer. \nVisually, Steen presents a naturalistic scene set in a tavern or inn, believable in its details. quartette prominent figures are  slow readable, not cartoonish or types,  exclusively portrayed with individualistic features.  cardinal more shadowy figures  publish from the background. The four figures up  expect are framed in a window that fills the  top(prenominal) 2/3 of the painting, pushed  out front in shallow  position to the picture plane. The location is  acknowledgeable as a  man place where drink is served by the prominent, diamond-shaped  concentrate, nailed to the window frame  secure off  join, hanging in the lower third of the painting. The sign features  pass swords, common symbols for power, protection, justice, courage, and strength. Here, the  cross swords also serve as an apt emblem for the crossed arguments of the point and counterpoint of rhetoric.  across the top of the painting is a swag of grapevine, with a  flock of grapes just right of cente   r and another bunch on the far left, as the vine tumbles  ingest the left ...  
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